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VWI goes to ... / VWI invites ...

 

Der Kolloquienzyklus der VWI-Fellows

 

Die VWI-Fellows präsentieren Zwischenresultate ihrer Forschungsvorhaben im Rahmen von Kolloquien, die – im kleinen Rahmen angekündigt – auch einer akademisch und inhaltlich interessierten Öffentlichkeit zugänglich sind. Die Vorträge werden durch eine im jeweiligen Thema ausgewiesene Fachperson in Form einer Respondenz oder eines Kommentars begleitet und von den anderen Fellows und dem Publikum diskutiert.

 

Das Veranstaltungsformat VWI goes to … war ursprünglich aus akutem Raummangel geboren worden, konnte doch das Institut an seinem früheren Standort, am Desider-Friedmann-Platz nicht einmal eine kleine Veranstaltung organisieren. Allein aus dem Kontakt zu anderen akademischen Einrichtungen in Wien, zum Teil auch in der weiteren Region, ergab sich in der Folge – auch dank der jeweils eingeladenen Kommentatorinnen und Kommentatoren – wiederum die einzigartige Möglichkeit, die Fellows und die Forschungen des VWI mit anderen Institutionen, methodischen Ansätzen, Forschungsfragen und Ideen zu vernetzen, das Institut in den regionalen Forschungsraum noch mehr zu integrieren. Aus diesem Grund wurde entschieden, das Format auch am neuen Standort beizubehalten. Gleichzeitig eröffnete sich aber am Rabensteig auch die Gelegenheit, zu diesen Kolloquien Institutionen auch an das VWI einzuladen. Aus diesem Grund trägt ab Herbst 2016 das VWI-Kolloquium entsprechend alternierend auch die Bezeichnung VWI invites... .

 

 

VWI invites/goes to...
Lukas Meissel: The Perpetrators’ Gaze. SS Photography at Concentration Camps
   

Mittwoch, 2. Dezember 2020, 15:00 - 17:00

Please use this link to join the event (online only):

 

https://us02web.zoom.us/j/81524562409?pwd=SW44QzVERXp6Ri9HM1ZybVJmMTg2QT09

VWI invites Anton Holzer

MeisselThis lecture presents new research on photographic practices in Nazi concentration camps, specifically photographs taken by SS men from the Erkennungsdienste (identification departments) from their foundation in 1936 through to 1945. The term Erkennungsdienste refers to police institutions that had existed since the nineteenth century. In the concentration camps, these departments were responsible for the production of photographs for the camp administrations, higher SS institutions, and SS members. The images produced there include portraits of deportees, photos of prisoners conducting forced labour, construction sites and buildings in the camps, corpses of murdered inmates, events such as ceremonies or visits by delegations and Nazi officials, as well as private photographs of SS personnel.

The aim of the presentation is to investigate not only what these pictures show, but to interpret them as visual perpetrator narratives of the concentration camps. The photographs highlight how the camps were supposed to work according to the SS, therefore they represent an idealised reality that never actually existed. Accordingly, they should not be interpreted as authentic visualisations of the camps, but as an expression of the ideological and practical aspirations of the perpetrators which are seldom preserved in other types of sources beyond images. A central argument of the presentation is that the photos played a decisive role in legitimising the camps within the SS and at certain points beyond the inner circle of perpetrators.

Commented by Anton Holzer

Lukas Meissel is a Junior Fellow at the Vienna Wiesenthal Institute for Holocaust Studies and a PhD candidate in Holocaust Studies at the University of Haifa. His doctoral project analyses photographs taken by SS men at concentration camps. Prior to his studies in Israel, he worked as a historian for the Jewish community of Vienna and served as deputy chairperson for GEDENKDIENST, a Vienna-based NGO dealing with Holocaust education. He has also worked on projects on behalf of Yad Vashem and since 2008 has guided numerous study trips. Meissel has received fellowships in Israel, the USA, Germany, and Austria and has published on visual history, Holocaust studies/education, and antisemitism.

Anton Holzer is a photo historian, curator, and journalist. Since 2001, he is the editor of the journal Fotogeschichte. Beiträge zur Geschichte und Ästhetik der Fotografie. He studied history, political sciences, and philosophy in Innsbruck, Bologna, and Vienna, receiving his PhD from Vienna University. He has conducted research projects and published on the history of war photography, photojournalism, exile, and photography. For an overview, see: http://www.anton-holzer.at/ 

Click here to download the invitation as a PDF file.

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Das Wiener Wiesenthal Institut für Holocaust-Studien (VWI) wird gefördert von:

 

bmbwf 179

 

wienkultur 179

 

  BKA 179