VWI invites/goes to...
Cycle of VWI Fellows’ Colloquia
The VWI fellows present their intermediary research results in the context of colloquia which are announced to a small audience and are open to a public audience with an academic and topical interest. The lectures are complemented by a response or commentary by an expert in the given field and are discussed with the other fellows.
Due to the previous lack of an appropriate space, the colloquia were held at other Viennese research and cultural institutions with a topical or regional connection to the given subject. From this circumstance was born the “VWI goes to …” format.
With the move to a new institute building at Rabensteig 3, the spatial circumstances have changed, so that the VWI is now happily able to invite other research and cultural institutions. Therefore, the VWI is now conducting its colloquia both externally and within its own building, in the framework of continued co-operation with other institutions.
The new cycle of fellows’ colloquia “VWI invites/goes to …” is not only able to reach a broader circle of interested persons, but moreover integrates the VWI further into the Viennese scholarly establishment, perhaps even crossing borders into the greater regional research landscape.
VWI invites/goes to... | |||
Anna G. Piotrowska: Romani Musicians and the Holocaust | |||
Wednesday, 10. May 2023, 15:00 - 17:00 Vienna Wiesenthal Institute, Research Lounge, 1010 Vienna, Rabensteig 3, 3rd Floor
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VWI invites the Music and Minorities Research Center at the University of Music and Performing Arts Vienna The Roma – as victims of the Holocaust – fell under the category of 'the forgotten' (die Vergessenen), and the fate of Romani musicians in concentration camps has rarely, if ever, been brought to light or researched. In the talk, the functions of Romani music making and the position of Romani musicians in concentration camps will be discussed and compared with the situation of fellow Jewish musicians. In addition, the question will be asked how the pre-war popularity of Romani orchestras (abounding in Central Europe) translated into the situation of Romani musicians in camps and whether or not it directly impacted the fate of particular musicians. At the same time, during the talk other questions will be posed, for example: Did the Roma outside the camps continue to work as musicians, or did they keep a low profile ceasing to perform publicly? Did music help them survive or was it quite the opposite? The presentation will focus on several well-documented cases but will also address some perpetuating legends and myths concerning Romani musicianship. Commented on by Ursula Hemetek Anna G. Piotrowska, musicologist (Jagiellonian University in Krakow and Durham University), has published numerous books and articles on the role music plays in shaping, influencing, and reflecting cultural and political contexts. She is concerned with issues at the intersection of music culture and the concepts of race and ethnicity. Ursula Hemetek, Director of the Music and Minorities Research Center at the University of Music and Performing Arts Vienna, 2011-2022 Director of the Institute for Folk Music Research and Ethnomusicology, 2017-2021 Secretary General of ICTM (International Council for Traditional Music). Main research interests: Music of minorities in Austria, especially Roma, Burgenland Croatians and Bosnians, and migrants in Vienna and refugee movements. Co-initiator of Transkulturalität_mdw, cultural work in the field of minorities, numerous publications in ethnomusicology. She is a 2018 Wittgenstein Award winner. Photo credit: Deportationssammellager auf dem Kölner Messegelände © NS-Dokumentationszentrum der Stadt Köln Please register at This email address is being protected from spambots. You need JavaScript enabled to view it. by latest 9 May, 12.00 am and bring your ID. Click here to download the invitation as a PDF file. In cooperation with: |
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