VWI invites/goes to...
Cycle of VWI Fellows’ Colloquia
The VWI fellows present their intermediary research results in the context of colloquia which are announced to a small audience and are open to a public audience with an academic and topical interest. The lectures are complemented by a response or commentary by an expert in the given field and are discussed with the other fellows.
Due to the previous lack of an appropriate space, the colloquia were held at other Viennese research and cultural institutions with a topical or regional connection to the given subject. From this circumstance was born the “VWI goes to …” format.
With the move to a new institute building at Rabensteig 3, the spatial circumstances have changed, so that the VWI is now happily able to invite other research and cultural institutions. Therefore, the VWI is now conducting its colloquia both externally and within its own building, in the framework of continued co-operation with other institutions.
The new cycle of fellows’ colloquia “VWI invites/goes to …” is not only able to reach a broader circle of interested persons, but moreover integrates the VWI further into the Viennese scholarly establishment, perhaps even crossing borders into the greater regional research landscape.
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| VWI invites/goes to... | |||
| Kathryn Brackney: Beyond Bearing Witness. Art and Literature after the Holocaust, 1945-1963 | |||
Wednesday, 24. April 2019, 15:00 - 17:00 Vienna Wiesenthal Institute, Research Lounge 1010 Vienna, Rabensteig 3, 3rd Floor
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VWI invites Institute for Contemporary Art at the Technical University Graz
Commented by Milica Tomić Kathryn Brackney is a Junior Fellow at the Vienna Wiesenthal Institute for Holocaust Studies and a doctoral candidate in modern European intellectual and cultural history at Yale University. She was previously a fellow at the U.S. Holocaust Memorial Museum and the USC Shoah Foundation. Her article Remembering ‘Planet Auschwitz’ during the Cold War was recently featured in UC Berkeley’s journal, Representations. Milica Tomić is an artist and head of the Institute of Contemporary Art at the Technical University in Graz. Tomić’s collective as well as investigative art projects offer an innovative way to engage with new forms of memorialisation beyond existing commemorative practices. Since 2002, she has been a founding member of the Grupa Spomenik and in 2010 she developed the interdisciplinary project Four Faces of Omarska. Her exhibitions have been exhibited in among other places the Haus der Kulturen der Welt in Berlin, the Whitney Museum of American Art and the Brooklyn Museum in New York, the Kunsthalle and the MUMOK in Vienna, the KIASMA in Helsinki, as well as at the Biennales in Venice, Sydney, and Istanbul. Please register at This email address is being protected from spambots. You need JavaScript enabled to view it. by latest Tuesday, 23 April, 12.00 am and bring your ID. Click here to download the invitation as a PDF file. In cooperation with: |
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In recent years, scholars have devoted increasing attention to memory of the Holocaust in the early postwar period before the Eichmann trial. This presentation highlights the cultural production of Jewish refugees during this period – but it focusses on forms of remembrance not primarily concerned with what has come to be known as 'bearing witness'. In contrast to the landmark memoirs of survivors like Primo Levi or Elie Wiesel, who attempted to document for the world the genocide of Europe’s Jews, writers and artists like Avrom Sutzkever and Marc Chagall turned to surreal visual vocabularies both to memorialize destroyed Jewish communities and to make sense of their own indeterminate position in the postwar world. The hybrid figures and liminal space in their work convey both an enduring sense of proximity to the dead and, often, distance from the living. Together, the art and literature featured in this presentation constitute an alternative tradition of Holocaust remembrance.
