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VWI invites/goes to...

 

Cycle of VWI Fellows’ Colloquia

 

The VWI fellows present their intermediary research results in the context of colloquia which are announced to a small audience and are open to a public audience with an academic and topical interest. The lectures are complemented by a response or commentary by an expert in the given field and are discussed with the other fellows.

 

Due to the previous lack of an appropriate space, the colloquia were held at other Viennese research and cultural institutions with a topical or regional connection to the given subject. From this circumstance was born the “VWI goes to …” format.

 

With the move to a new institute building at Rabensteig 3, the spatial circumstances have changed, so that the VWI is now happily able to invite other research and cultural institutions. Therefore, the VWI is now conducting its colloquia both externally and within its own building, in the framework of continued co-operation with other institutions.

 

The new cycle of fellows’ colloquia “VWI invites/goes to …” is not only able to reach a broader circle of interested persons, but moreover integrates the VWI further into the Viennese scholarly establishment, perhaps even crossing borders into the greater regional research landscape.

 

 

VWI invites/goes to...
Beate Kutschke: Music and Heroisation in the Mauthausen Liberation Celebrations. New Perspectives on Holocaust Remembrance and Commemoration in Austria
   

Tuesday, 22. January 2019, 15:00 - 17:00

Department of Theatre, Film and Media Studies. Hofburg, Batthyanystiege, 1st floor, Schreyvogelsaal

 

VWI goes to the Department of Theatre, Film and Media Studies

KutschkeThe analysis, theory, and historiography of Holocaust remembrance and commemoration, including Holocaust education and politics, is today an established field of scholarly study. One of its main results is that the Holocaust has since the 1990s been seen as a historical event that articulates moral imperatives. However, previous research has neglected an essential aspect of the process of coming to terms with the Holocaust: heroisations and hero-worshipping that have shaped the discourse on the Holocaust since 1945. The memorial site Yad Vashem in Jerusalem is dedicated to “the Holocaust Martyrs’ and Heroes’ Remembrance”; Jewish resistance fighters and non-Jewish helpers are called “unsung heroes” or “heroes of conscience”. My presentation will contribute to clarifying this aspect by investigating verbal discourse and music from the context of Holocaust commemoration in the years around the turn of the millennium. I will focus on compositions that were premiered during the annual liberation celebrations at the Mauthausen concentration camp memorial: Helmut Rogl’s Memento (1995), Helmut Schmidinger’s Drei Momente – über Motive aus dem Lied “Die Moorsoldaten” (2005), and Wolfgang R. Kubizek’s …und alle Toten starben friedlich (2006). Music – its sounds, lyrics, programme notes, and performance contexts – are particularly suited for the investigation of heroic ideas because, since the Baroque era, music of a specific style served as ‘accompaniment’ for events with a heroic character, and listeners have attributed to it a ‘heroic expression’. This presentation demonstrates that heroic thinking has played a complex role in Holocaust remembrance ranging from auto-psychotherapy over the shaping of moral identity to the propaganda of political ideologies, the latter rather disconnected from the murder of the European Jews.

Commented by Brigitte Dalinger

Beate Kutschke is a research associate at the University of Salzburg. She has published extensively on music and protest around 1968, avant-garde music, music aesthetics and semiotics, as well as Baroque opera and ethics. Currently, she is pursuing two research directions: first, the historiography of early eighteenth-century musical form on the basis of computer-assisted music analysis; and second, music and ‘Holocaust heroisations’ in Austria after 1945.

Birgitte Dalinger is a research associate and lecturer at the Department of Theatre, Film and Media Studies at the University of Vienna, where she received her habilitation in 2004. Her research focusses on Jewish theatre and drama, theatre during the Nazi regime, exile studies, theatre in the nineteenth and twentieth centuries, drama theory, book looting, and restitution. Her most recent publication is: Dalinger/Veronika Zangl (ed.), Theater unter NS-Herrschaft/Theatre Under Pressure, Göttingen 2018.

Please register at This email address is being protected from spambots. You need JavaScript enabled to view it. by latest Monday, 21 January, 12.00 am.

Click here to download the invitation as a PDF file.

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The Vienna Wiesenthal Institute for Holocaust Studies (VWI) is funded by:

 

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